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ummer8217
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vening
AC
HORAL
concert
ofMusic
for
aS
ummer8217s
Eveningat
the
Haverhill
Arts
Centr
eo
n
Sunday
br
ought
to
ac
lose
the
first
weekend
of
the
town8217
sa
nnual
arts
festival.
The
concert
marked
the
50th
anniversary
of
the
death
of
the
English
composer
Ralph
Va
ughan-
Williams.
The
Haverhill
Choral
Society
,
conducted
by
Jane
Wr
ight,
sang
a
varied
pr
ogramme
of
music
spanning
England8217
sr
ich
heritage
of
vocal
composition
8211f
ro
mt
he
Renaissance
to
the
Beatles
and
Andr
ew
Lloyd-W
ebber
,i
ncluding
a
rar
ely-performed
cantata
by
Va
ughan-Williams.
In
her
wor
ds
of
welcome
the
conductor
,a
ne
xperienced
solo
and
choral
singer/dir
ector
,a
nd
head
of
music
at
Samuel
Wa
rd
Arts
and
Te
chnology
College,
paid
tribute
to
the
significance
of
Va
ughan-
Williams
as
ac
omposer
.
The
evening
began
with
two
contrasting
unaccompanied
English
madrigals.
The
first,
Bennet8217
sAll
Creatures
Nowwas
jolly
and
fast,
and
the
second,
the
well-knownThe
Silver
Swanby
Orlando
Gibbons,
was
slow
and
sustained.
The
lower
parts
needed
to
tone
down
in
the
Bennet
piece
to
allow
the
two
interweaving
soprano
parts
to
be
mor
ec
learly
hear
d,
but
the
choir
achieved
ag
ood
balance
between
the
voices
and
very
well-
contr
olled
quiet
singing
inThe
Silver
Swan.
The
next
few
pieces
had
piano
accompaniment
ably
played
by
Edwar
dD
odge,
himself
conductor
of
the
choir
until
2002.
Ther
ew
as
good
ensemble
in
the
Beatles8217Here,
There
and
Everywhere,a
nd
also
in
Cullen8217
se
njoyable
arrangement
ofSkimbleshanksfr
om
the
Lloyd-W
ebber
musical,Cats.T
her
ew
as
excellent
diction
too,
coming
over
better
her
et
han
in
the
following
lively
Gilbert
and
Sullivan
number
,Try
We
Lifelongfr
omThe
Gondoliers.Ap
erky
unaccompanied
arrangement
ofFrog
Went
a-Courtin8217followed,
the
dif
fer
ent
parts
taking
tur
ns
with
the
melody
lines
in
aw
ell-executed
performance.
The
first
half
ended
with
ap
iano
arrangement
ofThe
Merry
Widow
Waltzby
Lehar
performed,
with
an
infectious
swing,
good
balance
between
parts,
some
lovely
cantabile
singing,
and
again
good
diction.
The
second
half
featur
ed
mainly
Va
ughan-Williams,
but
began
with
another
choral
gem,
Stanfor
d8217
s
magical
arrangement
ofThe
Bluebird.K
ate
Hibbert8217
sb
eautiful
solo
soprano
line
soar
ed
ef
fectively
over
the
well-blended
choral
accompaniment.
Next
came
Va
ughan-William8217
sp
art
songLinden
Lea,a
ni
mpr
essive
performance
sung
fr
om
memory
.
This
was
the
one
item
wher
et
he
choir
re
ally
got
their
heads
out
of
their
copies,
and
what
ad
if
fer
ence
that
makes
fr
om
the
audience8217
s
point
of
view
.
The
evening
finished
with
Va
ughan-
Williams8217
little-known
cantata,In
Windsor
Forest,w
hich
appear
ed
in
1929,
re
-modelled
with
piano
accompaniment
fr
om
the
operaSir
John
In
Love.T
he
five
movements
ar
ev
ery
varied
in
character
,t
he
ladies
and
men
each
getting
their
own
number
8211t
he
ladies
slightly
less
confident
her
eb
ut
the
men
delivering
theirs
with
gusto.
It
was
ar
ar
ep
rivilege
to
hear
this
work
performed,
especially
since,
as
Jane
explained,
ther
ei
sn
o
curr
ent
re
cor
ding
available,
and
the
re
st
of
the
pr
ogramme
was
well-
chosen
to
pr
ovide
the
audience
with
am
ost
enjoyable
evening
of
music.
Review:
Music
for
a
Summer8217
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vening
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nn
ee
ss
AA
nn
dd
TT
hh
ee
KK
ii
nn
gg
dd
oo
mm
OO
ff
TT
hh
ee
CC
rr
yy
ss
tt
aa
ll
SS
kk
uu
ll
ll
((
11
22
AA
))
::
Daily
except
Thu
5pm;
Sat
&S
un
2pm.
PP
ee
rr
ss
ee
pp
oo
ll
ii
ss
((
11
22
AA
))
::
Daily
except
Thu
8.15pm;
We
d2
pm.
NN
ii
mm
82178217
ss
II
ss
ll
aa
nn
dd
((
UU
))
::
Sat
&S
un
2pm.
TT
hh
ee
OO
rr
pp
hh
aa
nn
aa
gg
ee
((
11
55
))
::
Thu
(June
26)
2pm,
5pm,
7.45pm.
CINEMA
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